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Three years ago McCarthy set up his mix room, where he mixed ‘Drivers License’, in the same building where the management company is based. The ‘we’ that McCarthy refers to means everyone who worked on the single, but in particular the song’s co‑writer and producer, Daniel Nigro, as well as Ian McEvily, who manages both Nigro and McCarthy for State of the Art Downtown LA, aka SOTA DTLA (formerly Rebel One). I’ve been reading SOS for 15 years and being in it has been one of my goals for a long time!” Salad Days In a good way! And then there’s doing this interview. We’re all really excited and stoked about it! It still hasn’t really hit me yet, because the last year has been so crazy for everyone, with Covid‑19. “I don’t think any of us expected it to do what it’s doing, just the magnitude of it. “Yeah, the success of ‘Drivers License’ is crazy,” raved McCarthy, via Skype.
#Summing mixer vs slate virtual mix rack series
This magazine’s Inside Track series tries to cover number one recordings whenever possible, and so when McCarthy received the inevitable email with an interview request, it added to him feeling pretty much on top of the world. In recent years, McCarthy has enjoyed a number of high‑profile credits, including Bebe Rexha, Melanie Martinez, Carly Rae Jepsen, Meghan Trainor and Giorgio Moroder, but the mega‑success of ‘Drivers License’ is in a different league altogether. The song went to number one in at least 25 countries, including the US and the UK, and was, at the time of writing, mid‑February, still dominating the charts everywhere. One of many songs he had mixed, ‘Drivers License’ by Olivia Rodrigo, became the biggest hit of 2021 so far, and broke many records in the process, including for biggest‑ever first‑week song on both Spotify and Amazon Music. In early February of this year, after nearly a decade of hard work, Mitch McCarthy hit the big time. LA’s rising star Mitch McCarthy talks us through the mix.
#Summing mixer vs slate virtual mix rack update
Virtual Console Collection users will receive a free update so mixer emulation can be added to the VMR signal chain.Olivia Rodrigo stormed the charts earlier this year with her breakthrough single ‘Drivers License’. Up to eight slots can be used per instance of VMR and further modules are set to be released as paid upgrades after release, including de-essers, exciters, gates and more. Modules can be added and reordered with drag-and-drop simplicity, and individual modules can be bypassed and soloed. This modelling includes the subtle harmonics, saturations, phase changes and non-linearities within each circuit, rather than just the EQ curves or compression characteristics.
#Summing mixer vs slate virtual mix rack pro
It’s said to be ideal for vocals, and is similar to the Slate Pro Audio Dragon hardware compressor that we reviewed in July 2010 ( ).Īs always, Slate Digital are keen to emphasise that their modelling recreates the entire analogue signal path, resulting in a more analogue sound. The second compressor, FG401 ‘Vintage Compressor’, is based on a model of the 1176 limiting amplifier, but with a greater degree of control and a modified output transformer characteristic. The first of the two compressors, the FG116 ‘Modern Compressor’ is a model of several VCA-based compression circuits which Slate claim is both punchy and clean.
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The EQs are clearly based on classic Neve and SSL console designs.